Corey Smith has amassed an unfailingly devout fan base, not only in his native Southeast region but all around the nation simply by telling it the way it is. He has released 11 albums—including 2011’s Top 20 release “The Broken Record”.  In the Summer of 2015, Corey teamed up with producer Keith Stegall (Alan Jackson, Zac Brown Band) for his album “While the Gettin’ Is Good” released on Sugar Hill Records. Smith’s concerts, documented on his live records “Live in Chattanooga” and “Live From Buckhead”, regularly sell out with audiences singing along to such fan favorites as the coming-of-age anthem “Twenty-One”, the nostalgic time warp “If I Could Do It Again” and the group hug “I Love Everyone”.  Corey has just released his new album titled “Suburban Drawl” produced by Erik Dylan. You can hear Corey’s latest Single “Cellophane” and the rest of the album on all music platforms!

Paul Thorn – When it comes to songwriting, less is more, and simplicity is strength. Just ask Paul Thorn, who’s spent three decades turning soulful grooves and small syllables into songs that pack a big wallop. Maybe he learned the power of minimalism from his years as a pro boxer; maybe it just comes naturally. But whether he’s targeting heads, hearts, hips or the occasional funny bone, he somehow manages to condense large nuggets of wisdom into tight little mantras, the kind embroiderers stitched onto pillows before internet memes existed. Thorn’s new album, Life is Just A Vapor, contains some beauties: “Life is a vapor, let’s live it while we can”; “tough times don’t last, but tough people do” (from “Tough Times Don’t Last”); “any mountain up ahead is just a hill” (from “Old Melodies”). They’re words of advice, comfort, support, encouragement, often meant to uplift, especially in times of struggle. Chris Knight – After 23 years as a recording artist, singer-songwriter Chris Knight remains boldly empowered to make music that always delivers the unflinching truth. In fact, the man raised in Slaughters, Kentucky uses a simple, direct barometer to regularly check his muse: “If I can’t believe myself, I won’t sing the song.” That brutally honest, no-frills philosophy fits his Americana-fueled, backwoods-grown merger of folk, country, and rock. It’s been at the backbone of nine studio albums, beginning with 1998’s acclaimed self-titled debut and traveling through scorchers such as the one-two punch of 2001’s A Pretty Good Guy and 2003’s The Jealous Kind, two demo-styled discs (2007’s The Trailer Tapes and 2009’s Trailer II), and the recent, electric guitar-fortified opus, 2019’s Almost Daylight. Because Knight’s music has always sat outside of the mainstream, onstage is where he makes his fans one show at a time. It is exactly where his searing tales of rural characters, fringe survivors, and tumultuous small-town existence find a captivated audience. A few edgy, raw gems that immediately come to mind are “It Ain’t Easy Being Me,” “Carla Came Home,” “I’m William Callahan,” and “Everybody’s Lonely Now,” the latter two from Almost Daylight.